At fashion week, it’s
not always about where you sit – it’s also about what you’re sat on. From
fishing chairs to broken benches, here’s a primer to LFW’s seating semantics
Fashion watchers will
be familiar with the politics of the front row personnel. What it means to host
Pixie Geldof catwalk-side, the actual meaning of Paloma Faith and how the whole
thing is way more cut-throat than anything witnessed in the corridors of
Westminster. But what of the politics of the physical front row? What exactly
are the semantics of a spindly chair? What is that concrete bench really
signifying? Can you tell if a collection is going to be rubbish as soon as you
see the catwalk furniture? Why, of course you can! Here is our guide to the
FROW furniture we expect to see at LFW
A cold concrete bench
Or a cold bench on a
concrete floor. Given that London Fashion Week is now based in a Soho NCP car
park, this scenario is highly likely. The simplicity usually implies that the
designer is newish and is relying on some British Fashion Council patronage to
make the whole thing work, rather than an uber minimalist who is going hard for
the deconstructed look. The gritty undertones of the concrete bench are often
undermined by the free tub of hair fudge and the bag of chilli popcorn sitting
on each seat next to a press release.
A fancy spindly opera
chair
These chairs are ten
a penny at the Paris shows, but more rare at LFW. With their gold coloured
backs and red velvet seats they are a nod to the salon presentations of old and
as such are intended to signify an air of refinement around the show. It
doesn’t always work. Sometimes there is nothing a spindly chair can do to
upgrade an ill fitting bit of chiffon.
A louche sofa
There’s only one
place you expect to see this during LFW and that is at the Tom Ford show. Sofas
trump chairs in the weird world of frow furniture power play. The Tom Ford grey
sofas which seat two or three editors are meant to signify decadence and
intimacy. In reality the sofa is uncomfortable and unflattering (posture and
thigh issues, you know). Slobbing about isn’t the desired aesthetic when one is
being watched, watching the catwalk. This isn’t Gogglebox.
Tiny fishing chairs
A seen at the
Burberry show. Behind the megabrand’s glitzy front row sit rows of mini camping
stools with seats the colour of trenchcoats. Contrary to the brand’s image this
has nothing to do with Britishness and weather and everything to do with
controlling the look on the livestream. Tiny chairs mean no squishing two bums
on one seat, no blagging a chair that doesn’t belong to you and consequently a
neat looking catwalk audience.
A broken bench
Fingers crossed.
There’s no drama quite like the moment when a badly constructed bench collapses
under the combined weight of 20 small bottoms. (Yes, a catwalk audience is in
reality about as sophisticated as a school assembly.) Most famously this
happened at a Balenciaga catwalk in Paris which meant that the whole audience
was forced to stand throughout all 7 minutes of the show. Radical.
* *
*
No comments:
Post a Comment