Thursday, January 28, 2016

Relive the refined craftsmanship of Valentino Haute Couture Spring/Summer 2016


Valentino’s Maria Grazia Chiuri and Pierpaolo Piccioli sent a parade of nymphs down the runway at the brand’s spring-summer 2016 haute couture show. Citing inspiration from Spanish fashion designer Mariano Fortuny and his pleated dresses, the showing took on a Grecian turn. In lieu of shoes, models walked barefoot with gold jewelry covering their ankles.
The silhouette for spring 2016 couture is long and billowing with short variations making a rare appearance. From the opening look–a white gown featuring velvet embroidered butterflies and petals which took over 1,300 hours of work–there is no doubting the craftsmanship of a Valentino piece. Elsewhere, there was kimono jackets, pleated velvet and gold macrame. Piccioli and Chiuri ended on a light note—quite literally. A trio of sheer tulle dresses with gold jewelry were the perfect diaphanous finale looks.



*     *     *




Valentino’s Spring/Summer 2016 Collection


A return to the beginning of time, in order to create a change in perspective: a pursuit of an essence that generates everything and is necessary today more than ever. Following the thread of an emotional story embedded in the vital magma of contemporary culture, Maria Grazia Chiuri and Pierpaolo Piccioli accomplish a new stage of a very personal narrative journey for the Valentino Spring/Summer 2016 collection. Looking towards a place both real and stylized they leave Rome, the center and horizon of their own aesthetic universe, behind them, and always preserving their invaluable expertise of métissage and savoir-faire, they land in wild, tribal Africa.

The collection expresses totemic and primordial grace. At the center of this story is a powerful and persistent figure with an incisive, vertical silhouette. Cuts are reduced to a minimum, as if the garments were created by spontaneous and immediate gestures. Long tunics are held at the neck by necklaces and ornaments, while prints are concentrated on long dresses with a simple ancestral taste. The body is the protagonist being both vibrant and hieratic beneath scratched leather bustier worn with pencil skirts. Draped fabric generate unique pieces conveying regal grace. The mask, traditionally used as a form of disguise is readapted as an expression of a symbolic ego and full of pathos, is a recurring motif that appears in multiple patterns on bags, shoes and jewelry. A collaboration with the artist Alessandro Gaggio has led to the creation of several high jewelry pieces in white terracotta with motifs that merge nature and human artistry. Natural and substantial shades make up the color palette: notes of black, ivory, ebony, beige, dark red and forest green maintain the inspiration of the collection close to the earth.

Africa as vibrant, as throbbing, as imperfect purity. The analogical, hand-made approach is the antidote to the digital deprivation of individual character in order to maintain authentic individuality.




*     *     *